Beneath every visible structure runs an invisible one. Mycelium spreads through soil in the dark, feeding what grows above it while staying unseen, able to give only by spending itself. This practice takes that structure as its method: a study of feminine care work, the labor that holds families, studios, and institutions together and disappears in the holding.

The work moves through four material registers. Endurance, in steel and stone stacked and tilted under their own weight. Residue, in skins of resin and plaster that hold the trace of a body long after it has withdrawn. Breath, in cast brass and bronze fruiting from branches bent past their limit. Dispersal, in scent and fog that rise, register, and vanish without leaving evidence.

Ceramic, stone, metal, wax, vine, vapor. None of it resolves the tension between what endures and what dissolves. That tension is the argument.